Top 210 Spinning Indoor Cycling Songs


What? Were you really expecting a Top 25 Indoor Cycling Songs? Maybe even a Top 50? Remember, this is ICI/PRO and we like toTop Spinning Indoor Cycling Spin Class music and songs do things BIG! To close out a spectacular year, we’re asking you, the best Indoor Cycling Instructors in the world, to join forces and create a list of your favorite songs for 2010. But here’s the catch. In addition to providing the title and artist, you must also describe HOW you teach that epic gem!

When our goal is reached, (one song per post) the list will be edited, organized, chilled and served to perfection. It’s our way of saying THANK YOU for a tremendous year!

UPDATE! Have you seen our new: BEST 210 Indoor Cycling Songs in 2010 list? It’s free to subscribers to our email newsletter. Click here to join now.

Here are my three favorites from 2010…..now it’s your turn!

Nirvana – Smells Like Teen Spirit (Doctor Werewolf Mix) www.soundcloud.com Enjoy this powerful 7 minute remix of a classic. Establish a seated climb until 3:29. From 3:29-4:29, I tell students to prepare both their bike and mind for an all out attack just seconds ahead. At 4:29, transition to a standing climb and unleash, increasing cadence for 2 minutes. I count down last 8 beats to end the song. Search for Doctor Werewolf on Soundcloud and click the download tab.

P. Diddy with Jimmy Page (Led Zeppelin) – Come with Me (Godzilla soundtrack) Create a grinding seated climb for 3-1/2 minutes, staying in the saddle if possible or taking a few steps out for switchbacks. At 3:39, during the very quiet moments of this song, whisper to your class, “There’s a jersey ahead of you…let’s explode out of the saddle and wave as you make the pass.” At 4:32, increase your voice tempo/volume, and slam it out for 90 seconds.

Dylan Rhymes and Jono Fernandez featuring Seany B. – Breathe (General Midi Remix) www.amazon.com. This awesome song combines a standing climb with jumps on a hill (or another element). Create a moderate hill for about 60 seconds. From 1:22-1:43, increase resistance and tell students an ambitious climb awaits them, climbing the first half of the mountain and then jumping our way to the top. At 1:43, begin a standing climb, keeping RPM steady and adding 3 resistance changes, 1 per minute. They should really be feeling it by the third shift! At 4:55, back off a touch and hit the saddle, grab a quick drink on the gear and prepare to jump your way to the summit, building anticipation with verbal encouragement until 5:40. “Try to give me 20 jumps on a hill in two minutes, your rhythm, your gear. I’ll see you at the top!” At 7:38 I count down the beats to end the song. (Make sure you download the 7:45 version – there is a 6:30 min. one as well.)


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131 Responses to “Top 210 Spinning Indoor Cycling Songs”




  • David Hart:

    Bonus for fun: Fear of The Rockstar 101 (DJs From Mars Remix) |
    Rihanna vs. Iron Maiden | 5:42 | found on



  • Jamie Puckett:

    You could also use it at the end of particularly challenging
    class, when they know that they have really earned it.



  • Jack Hoban:

    …and if you have it, the bpm.
    Yes, we’ve got a great start to this list!



  • Samantha Willard:

    Thank you all! I’m looking forward to checking the list
    often. What’s helpful, very helpful, are the ideas of
    movements, cadence, coaching tips for the songs. It helps to
    visualize why the song is a favorite and what can be done with it!
    Thanks again!



  • Anthony Mcgee:

    “Kill Me Everytime” (instrumental version) by Blue
    Stahli, 5:08. It is PERFECT for a full blown maximum power interval
    or time trial effort. I have to hold myself back from using it too
    often in my playlists.



  • Shelia Mcmillan:

    Yup, it’s the theme song to the Biggest Loser. Tami Reilly
    suggested this in one of her workshops. It’s a great way to
    mark an accomplishment and get them psyched up. I love to use it at
    the end of a periodization training, right at the beginning of the
    final event (e.g. race day)



  • Susan Kim:

    @Dane, I’m looking forward to hearing what songs
    you’re using. Morgan is lucky to have a mentor like you to
    co-teach with. What a great way to get a start as a new instructor
    – we’re so happy to have him (and you) as a member!



  • Doris Hollins:

    hi John, this would be even better/more useful if the BPM of the
    music was included.



  • Jessie Bynum:

    About half way through the song slightly changes – time to
    come out of the saddle. Be careful of how much you add each time. I
    think there are 17 turns the song. Nice way to sneak in a really
    big hill.



  • Donald Viola:

    “The Sound (John M. Perkins Blues) by switchfoot. Very
    motivating and driven song. it opens with a resounding BOOM! You
    can push hard straight through for 3:36 or back off and apply some
    HIT surges at 1:13(28s), 2:17(20s), and 3:03(33s).



  • Floyd Reed:

    Alegria from Cirque du Soleil – Starts on a easy rode and
    adds resistance every time you hear the title Alegria. They come
    frequently.



  • Raymond Atkins:

    This song can be used two ways. I prefer to use it for a long
    slow climb, but it needs to be “pitch controlled” up a
    bit to bring it to a 60 rpm cadence.



  • Douglas Quintero:

    Combines seated climb with 3 hard efforts out the seat and a run
    at the end.



  • Cher Padilla:

    “Time” from the Inception soundtrack. like a clock
    this climb is progressive and starts building at 1:01 every 30
    seconds. Some volume control or editing is required as this piece
    starts very quiet and ends very loud. Once the build starts every
    30 seconds more instrumentation and energy gets added in. it peaks
    at 3;01 for the last 30 seconds before returning to the intro
    rhythm. Forget about beat matching this is all about emotion.



  • Barbara Kerby:

    I know they are old, but I love the Propellerheads. On Her
    Majesty’s Royal Secret Service is a 9:23 minute track with a
    great, fast beat that slows down in the middle (from 4:46-6:50). I
    use it as a Carmichael steady state interval, beginning on a
    moderate hill, quick cadence (80-85 rpm). When the beat comes in,
    surge out at third to get the cadence going, back down to the
    saddle and maintaining a fast cadence on a challenging flat (95+),
    keeping intensity right below LT for entire song. When the beat
    slows down, switch to a hill, but keep intensity constant, and when
    it comes back in at 6:50, come out to 3d to finish the interval
    (but don’t cross threshold). Recovery should be about half
    the length of the interval.



  • Jodi Barrett:

    Samurai Set-Gaelic Storm
    Great song for a seated climb!
    Following the beat will put you on a heavy climb at 60
    RPM’s.
    I explain that any climbing will be done between 60-80 RPM’s
    and that this seated climb will be heavy (uncomfortably challenging
    at 75% of max to start)
    1:20-prompt them to keep resistance but increase cadence as close
    to 80 RPM’s as possible.
    at 1:35-do a 15 second cadence check
    At 1:50 tell them that in counting their cadence on one leg that
    there number should be as close to 20 without going over. If they
    were easily able to get cadence past 20, then have them add more
    resistance.
    1:52-cadence drops back to the beat at 60 RPM’s
    At 2:24-prompt them to increase cadence again
    At 2:40-2:55 Do a 15 second cadence check again to see if they were
    able to spin up to 80 RPM’s.
    this time have them hold 80 RPM’s
    At 3:19 drop cadence back to the beat at 60 RPM’s and max out
    resistance at that speed.
    At 3:28 come up to hand 3 and do a 20-second sprint to the top!



  • Susan Kern:

    Since Doug already posted “The Sound” by Switchfoot
    (my favorite), I’ll post my second choice … is
    “Sweet Emotion (David Thoener Remix)” by Aerosmith.
    (Make sure it’s the remix — not the original song.)
    Love this as a heavy, seated hill climb, with 4 standing 20-second
    pushes, and end with a 60 second sprint for the finish. Is 50 RPM
    and I have riders gear-up heavy (to the beat) seated, right away.
    Then queue them for 4 standing, 20-second pushes (ahead of the
    beat) at 1:15, 1:54, 2:52, and 3:30. Return to seated after each
    push and hold the beat. Add a gear as needed to stay at max effort
    while keeping tempo. At 3:52, I have them drop a gear or two (while
    seated) and sprint the last 60 seconds to the end. Most of the
    instructors at my club don’t ride the low end of the RPM
    spectrum, so my class enjoys this change of pace — with a
    little extra run at the end. Enjoy!!!



  • Lois Miller:

    MY OWN LITTLE WORLD-MATTHEW WEST (4:12)
    Good seated flat road with 2 standing runs
    Following the beat will put the cadence at 96 RPM’s
    at 2:00-2:30 come up to a standing flat road run and try to keep
    the cadence as quick as it was in the saddle or at least above 80
    RPM’s
    3:07-3:37 come up again to a standing flat road run and again try
    to keep the cadence the same or at least above 80 RPM’s



  • Herbert Houle:

    Establish a moderate hill, climbing in your seat.
    :55 – add enough resistance to challenge the legs but
    maintain cadence and come up to a standing climb
    1:22 – the incline increases significantly – power up
    that hill
    1:38 – come off heights back to a moderate hill but one that
    is slightly steeper than the first, seated climb



  • Erica Jones:

    Sufjan Stevens – Too Much 6:44 148 BPM
    Sufjan’s sterling vocals and impeccable production techniques
    go electronic on his latest CD, Age of Adz. This makes a great
    climbing song, even though Mixmeister says it’s 148 BPM



  • Claude Ashburn:

    I think the available music is hopeless. I am changing my
    freestyle classes back to Les Mills RPM because at least the
    PPCA-free stuff they provide is passable.



  • Jamie Shiner:

    Jade – Now I am going to reveal my ineptness. I love the
    Linkin Park mash-up – but when I click on the link
    you’ve posted, all I get is the song playing. How do I
    download the song?



  • Claudia Bounds:

    @Bill – 148bpm is a perfect climbing beat of 74. I have
    found that sometimes you see it written as the full beat (some call
    it double time) and other times as the half beat. Music sites (such
    as Mixmeister, or albums) will usually list the double time;
    instructors (like me) will often post the pedaling beat. When I see
    songs posted with BPM from European instructors it really varies,
    depending on who is posting it. So for me personally, it’s
    easier to write it as the equivalent rpm that I’ll ride it
    to. Sometimes that means the full (double time) beat of say, 95bpm
    for a fast flat, or I’ll write 75bpm when it’s a fast
    song with a great half beat for a climb (that would technically be
    150bpm).



  • Jason James:

    Proud (Josh Harris Pride Remix) by Heather Small; 3:47; 128
    bpm’s (I figured out how to get these!)



  • Kimberly Lake:

    Some of my favorites are:
    Walking Wounded (remix) by Everything But The Girl
    Fast climb seated or standing with rollers



  • Jorge Edmond:

    I share your pain. For those outside Australia – imagine
    that you could no longer use any orginal artist music because the
    copyright fees increased %1000 ! That’s the situation in
    Australia.



  • Alice Bradsher:

    System 7 – Song for the phoenix 7:52 110BPM great for a
    warm up or a fast long flat.



  • Della Mill:

    Someone earlier mentioned Swamp Thing by Juno Reactor. LOVE
    IT!
    But, here’s another fun one to do in the same
    class…



  • Scott Edwards:

    Two Step by Dave Matthews (6:21)This song can be used for so
    many profiles… I use it for my first song, it starts off slow
    in the beginning so I get in some warm up stretches, then it picks
    up so i get them to find there base line pedal stroke… from
    there I have them come on and off their base using only cadence,
    the music has great energy and you can feel just the right timing
    within the beat and lyrics. I throw in a few pedal stroke drills
    and then we add some more resistences and hit the road running!
    This is also good for race days.. or your last few miles home at
    the end of the class… ENJOY!



  • Julie Bridgeman:

    Feel Good Inc (Album Version) by Gorillaz 3:41 – rock
    steady beat for warmups or flats with changeups.



  • Julia Brooks:

    @Jenni, I’ll check those out – I’m so happy
    that you did the Gratitude Ride! I can always use new song ideas
    for it for next year.



  • James Luther:

    Looking for my old really old ones found
    Atom Heart Mother by Pink Floyd 1970 a 23 min powerful song you
    have everything there is a mix of simphony and Rock good for
    climbing another old I just used I hope is not too old.
    Smoke on the Water by Deep Purple.
    Fanfarre for the Commom Man by Emerson Lake & Palmer.1977



  • Earl Puga:

    1) Enter Sandman by Metallica — Live version – all
    on a run, alternating between 2 and 3, 30 sec interval picking it
    up in 3. Heartrate around 80%.
    2)Nightmare by Brainbug Flat road that picks up in cadence. Good to
    do sprints to. It’s impossible to go slow with this song.
    Heartrate around 70% at the beginning, 85% at end.
    3)When You Say Nothin At All by Allison Krauss – the power of
    a smile! A hill, 30 sec in and out of the saddle. Increase
    resistance coming out of the saddle. I ask the students to keep
    their heart rate above 75%. Their tendency is to use hills for
    recovery and heart rates to drop below 70%. I remind them if they
    don’t pedal hard when they are on a hill outdoor, their bike
    will fall over! Cadence 60-70.
    4)Let It Whip Dazz Band – All on the run, with jumps.
    Intervals can be 15 or 30 seconds, 5 jumps then return to running.
    Heartrate around 85% of max.
    5)Holding Out for a Hero by Bonnie Tyler, Super positive message.
    30 secs flat road cadence of 90, add resistance, 30 seconds cadence
    110, add resistance 30 seconds regular run then 30 seconds fast
    run. Repeat all. Usually use as final working song before the cool
    down. Heartrate to 90%.



  • Marc Addison:

    Thank you all for your suggestions–many of these are going
    to make their way into Monday’s class!



  • Alan Stevens:

    I love this playlist, more and more ambient music and less lyric
    ! I know it is a choise we made but it is so easier and relevant to
    what we do TRAINING.



  • Phillip Short:

    I change over time … but my two current for speed
    intervals are Radar Love by Golden Earring and Sultans of Swing



  • Barbara Miller:

    I have my class start at 70%, and add small bits of load on the
    first 5 “small” builds, reminding them that we have
    three big adds coming after those.



  • Rebecca Parr:

    Hi Pascal,
    I played around with the Belly Tribal Rock song you listed below
    and added an extra minute so it’s now 3:30! You’ll
    never notice where I spiced the music. You can download directly
    at:



  • Anita Mcleod:

    Forgot another one by LCD Soundystem. They do a fantastic cover
    of Harry Nilsson’s Jump Into The Fire. In the podcast,
    Barbara mentions the use of covers or remixes of familiar songs.
    This one fits that profile (it’s even better than
    Nilsson’s original). plus builds energy as described
    above.



  • Willis Johnson:

    Take My Hand by Simple Plan (3:51)
    I like using this song for standing sprints. It has clear markings
    in the music for the standing sprints and the music is motivating
    with a nice simple phrase “Take my hand”. It is a good
    song for an interval class, especially for the last working song.
    The class participants always respond well to this song and
    challenge themselves.



  • Matthew Vargas:

    Barbara, THANK YOU for providing that link from Redanka! Do you
    guys know how cool this is? I’m listening to it right now!
    Thank you!



  • Grace Kelley:

    Hills: The Longest Road (Deadmau5 Remix)| Morgan Page |
    7:28
    I use this song for a hill climb, and for turning + hill climbs on
    a RealRyder bike.



  • Edmond Yopp:

    B-Side Wins Again Featuring Chuck D (By DJ Spooky and Dave
    Lombardo)-4:31
    This entire song makes for a great seated flat.
    It can be used to teach those about maximum cadence for a flat
    road.
    If your indoor cycling bikes do not give the cadence reading,
    following the beat will put their cadence at about (104
    RPM’s).
    They can be told that the max is 110 RPM’s, but wait about a
    minute or so into the song at holding to the beat before you let
    them know where there cadence is.
    Having them hold it for the entire song is challenging, especially
    when prompting the “saddle bouncers” to have enough
    resistance at that chosen speed to take away their bounce!
    For those wanting additional challenges, prompt them to add just
    enough resistance to make a slight but noticable change with each
    minute that passes (up to 4 changes in resistance), without
    compromising their pedal speed.
    Starting level of intensity at 65% of max and with each change in
    resistance increasing intensity by 5% and ending at 85% of max.



  • Tom Davenport:

    Push! Push! By Falco. I use this song for intervals – 30
    sec. on and 30 sec. off Has a great rhythm. I use the words Push
    Push to help motivate. Also you could use it as a flat road
    ride.



  • Francine Goodman:

    “Dog Days are Over” by Florence and the
    Machine
    “Tubthumping” by Chumbawumba
    “1901″ by Phoenix
    “Just Say Yes” by Snow Patrol
    “Spaceman” by the Killers
    “Read my Mind” by the Killers
    “Float On” by Modest Mouse



  • James Horton:

    Start off in a seated incline for 30 sec., then jumps on an
    incline for 30 sec. , then a seated sprint on an incline for 30
    sec. ,
    Repeat this 90 sec. routine for 5 times alternating the sprints
    between seated and standing.
    Heart Rate should be between 80%-85%.



  • Cherrie Simmons:

    I use this song to run a couple of laps. A lap is one minute in
    the saddle on flat road and then two minutes out of the saddle
    facing a head wind. Repeat twice. Cadence in done at a high enough
    rate to keep your heart rate In the 80% range for the whole
    song!



  • Michael Padilla:

    I really think that Exhibit 13, by Blue Man Group, 8:50, merits
    inclusion on the list. I used it exactly as John had suggested, at
    the end of a longer class (90 minutes), using the silent portion
    towards the end to help them visualize the fatigue at the end of a
    long ride, the feeling of almost “losing it”, followed
    by the triumphant return of energy in the final couple minutes of
    the song.



  • Richard Anderson:

    The only site I know of woudl be JJJ Unearthed for unsigned
    bands. PPCA free, I am looking through the following but so far I
    have been disappointed:



  • Karly Cory:

    Reminds me of You
    If I knew then. Gary Hoey
    I used these songs at the end of Jennifer’s Gratitude ride.
    They are both available on iTunes



  • Shawna Ahner:

    Wolfgang Gartner “Wolgang’s 5th Symphony”
    128bpm
    Prometheus “9th (The Man Who Swan Through a Speaker)”
    144 bpm
    Il Divo “Amazing Grace” 127bpm awesome CD song



  • Marlene Harding:

    Flat roads never felt sooooooo good!!! This is a blood pumping
    instrumental version that samples the original song by Heavy, a
    group with a James Brown-sounding lead singer. Make sure you find
    the 320kbps since high bit rates (256 and above) make a huge
    difference in quality compared typical 128kbps. If you can’t
    find this song, email and I’ll send purchase/download info.



  • Cindy Albert:

    and one of my favorites because of the message is the song
    Indestructible by the band Disturbed. I tell my students to picture
    themselves competing against one of the strongest riders in a race
    up to the finish line.



  • Lillian Harvey:

    Shango by Angelique Kidjo. It’s 4:53, and has a great,
    fast strong beat. I like to use it for a set of switchbacks, trying
    to keep the RPM’s around 80. It also makes a great, strong
    flat.



  • Elsie Shephard:

    Typical (Josh Harris Club Mix)by Mutemath – from the
    popular Twilight soundtrack. The strong beat is a nice contrast to
    quiet moments in the song where you can offer instruction and
    transform the terrain from a flat road to a soft hill or even
    jumps. Very versatile, uplifting.



  • Chiquita Fultz:

    Redanka (personal friend!) has just offered a free download of
    his new album, Jetstream by Doves. Incredible….he’s a
    genius. Grab this powerful, layered new mix (Redanka is one of the
    best mixers on the planet and happens to have a fondness for indoor
    cycling in Great Britain!) Hill or false flat, you decide…I
    can’t stop playing this song!



  • Marilyn Thompson:

    4:04 – significant increase in resistance, rise to a
    standing climb
    4:20 – coming to the summit, up the resistance
    4:47 – begin 30 second run to the top



  • Carla Perry:

    Keep the songs coming! We need about 50 more! When we hit 210,
    I’ll compile the list, clean it up and make it available in
    PDF form. C’mon, more music! Thanks to all for a superb
    job!



  • Delia Hunter:

    Sandstorm by Darube is a really good one to do a last exercice
    at 110% at the end ! Like the end of a bike race !



  • Gabriel Layton:

    Cold Case Love from Rihanna’s Rated R CD. Produced by
    Justin Timberlake (genius). Total time 6:05



  • Timothy Jacques:

    This is a race up a hill. A minute of jumps starts this hill and
    then alternating one minute seated and standing climbs adding a
    little more intensity each set till heart rate reaches 90% at the
    final minute !   



  • Jerry Farley:

    I use this song to cross a HR zone.
    CAD is above 80
    Take Heart Rate to 90%, when you reach 90% recover to 80% and then
    repeat to 90% and recover to 80%(when it hits 80% take of to
    90%)——Do this the whole song , everyone is on their
    own.



  • Harold Fitzpatrick:

    Orion / Rodrigo y Gabriela, 7:44. I tell the class that not
    every hill goes straight up. This one is going to take us on a
    journey. The first 3 minutes or so, climb steady in and out of the
    saddle. Around 3:30, the music transitions a bit–this is the
    steepest part (gear up, slow down, perhaps stand to give more power
    to the pedals). Around 5:50, feel another change as the hill gives
    up a bit of steepness and you settle into the saddle for a
    faster-paced push to the top.



  • Randall Obryant:

    Rods and Cones (Blue Man Group) (5:58): Great for testing how
    well we can keep a pace while adding resistance. I have my students
    progressively build resistance while seated (I encourage them to
    just make small touches, add a ‘dab’ of resistance,
    etc.) while keeping the same pace. At about 4:15, I’ll tell
    them they should have on the max resistance they can handle while
    keeping a strong pace and then we keep that strong pace/resistance
    for the last 90 seconds.



  • Anna Westlund:

    Cafe Mocha – Jesse Cooke – This is what I call our
    “interlude” song. I often insert it half way through
    our workout. I have my clients drop there head down, close their
    eyes and imagine riding from one spot to another, describing this
    ride. or, have them focus on their body, taking them through from
    toe to head, what they are feeling, noticing.
    Paritcipants rise up from this 3 min. interlude smiling and ready
    to push through the rest of the worksout. Can be as easy as a few
    choice words, or if you’re a good story teller, take it
    further. YUMMY!



  • Marcus Pinegar:

    Thunder by Nuttin But the Strings
    End game song!
    2 standing intervals 1:38, 1:29 long
    This is my trademark song and my riders love it. Hope you can get
    some use out of it.



  • Amanda Hernadez:

    They ask for it often and want the name of the song/artist/CD,
    so they must like it.



  • Joanne Lonon:

    Bee Hive Baby by Reverend Raven – seated climb @ 65 RPMS
    with 3-8 count jumps in middle.



  • Arline Bingham:

    The first 30 seconds explain to the group that they are going to
    set their own pace for 2 minutes and focus on holding that pace. It
    is a mental challenge as well as physical.



  • Michael Mills:

    Hard Sun by Eddie Vedor soundtrack from Into the Wild. Just a
    plain power climb song. Pick’a big hill and climb.



  • Kevin Barrett:

    SITTING HERE READING ALL OF THE GREAT IDEAS. WE ARE ALSO MAKING
    A PLAYLIST ON RHAPSODY WHILE WE READ AND DISCUSS TODAY’S
    CLASS. CO-TEACHING WITH OUR NEWLY CERTIFIED AND NEW ICI/PRO
    INSTRUCTOR – MORGAN L – THIS AFTERNOON. WE WILL LET YOU
    KNOW WHAT SONGS WE CHOSE AND THE RESPONSE.



  • Robert Eastman:

    So many choices….Try this one. Dreams (Featuring Melanie
    Rev) by DJ Icey Like to use this during uphill run, loading
    resistance along the way, using all positions. I like to challange
    the riders to keep pace with me, with a few breakaways on a hill.
    Deep techno beat with Vocal Trance



  • Joyce Martinez:

    Rory Gallagher from the live album “Live in Europe”
    the title “In your Town” great climbing song for about
    9.30 minutes.



  • Nathan Hodge:

    Jumbo by Underworld is a fantastic way to wake up, I mean warm
    up, your riders first thing in the morning!



  • Willie Witham:

    So if you ever see a song suggestion from me with a bpm attached
    – it’s the desired rpm equivalent.



  • Zachary Rios:

    Hi John! My favorite three songs of 2010 are (1) Break On
    Through – D J Disse, Buddha Bar X (Bonus Track Version), 5:57
    – 110 BPM. I use it for warmups and group speed intervals.
    (2) Blurry – Puddle of Mudd, Come Clean Album, 5:04 –
    160 BPM. Hard Climb & Jumps on a Hill. (3) Drivers Seat (Neil
    Nuff Original Mix) – Dogtooth, 5:54 – 133 BPM. Use
    – speed intervals (40 second leg burners).



  • Kathy Griggs:

    Fire (Extended Emergency) by Scooter from the Fire(EP) Album.
    142RPM. Good for runs. It is fun to ask everybody to run when they
    hear the word “Fire” in the lyrics.
    It has a great intro.
    “Switch off the lights and close your eyes. Feel the energy
    inside. Relax. Relax. Your mind, your body and your soul. The
    atmosphere of your surrounding.”



  • Edward Tarvin:

    Above & Beyond – Good for me (Redanka Vocal) 6:55
    130BPM great for a steady climb, seated or standing, the song has a
    strong beat but also smooth melody in the background. So this is a
    good track to climb while focusing on relaxation and
    harmony…



  • Rebecca Abrams:

    WOW!!!!! Thanks for the GREAT start to this list of GOLD!
    I’m already inspired and can’t wait to teach your
    favorites! Remember, we need information on HOW you teach the
    song.
    Keep ‘em coming!



  • Janice Johnson:

    I love Mojave by Afro Celt Sound System. The first 5 minutes are
    quiet and slow. I use his time to built resistance – seated.
    This is not monster hill. I cue them to where the riders feeling a
    medium hill not heavy but not easy. They can still keep a steady
    smooth pedal stroke. As it approaches the 5 minute mark the music
    slowly begins to pick up pace. At 5 minutes, it is up out of the
    saddle and off. The rhythm defines the pace. You will be able to
    see many of the riders all in sync both pedal stroke and body
    movement. This is neat to watch.



  • Melvin Garcia:

    I understand that PPCA do not represent all original artists, so
    there is some music we can use legally. But, I am currently trying
    to find out how to check PPCA free or not.



  • Steven Davenport:

    It starts out slow for the first 30 seconds and then picks up
    with a strong driving beat for 2 minutes.



  • Betty Ryan:

    Murray’s wife…see above Sometimes we like to team
    teach. We use this song to introduce an Indian/Asian Techno-themed
    ride into the hills. T his song introduces a series of rolling
    hills before a big mountain climb. 3 resistance increases, about 20
    seconds apart in each position….up and over…take 2 off,
    back in the saddle…next small hill…resistance loading
    with each hill. Sultry Indian techno takes you there.
    Ali (radio edit) Midivil Punditz



  • Mary Batten:

    Hi Pascal,
    I played around with the Belly Tribal Rock song you listed below
    and added an extra minute so it’s now 3:30! You’ll
    never notice where I spliced the music. You can download directly
    at:



  • Emilie Bradley:

    One of my all time favorites. Soulution by Utah Saints. 7:42.
    I’ve used it as a long flat into a headwind, rolling hills or
    switchbacks. It’s a nice piece when you are looking for a
    medium to long interval.



  • Andrea Williams:

    Swamp Thing by Juno Reactor
    Climb standing or seated. I like to have my class think of how a
    powerful cat moves and think of the supple movement and the
    powerful dynamic strength as they climb this climb.



  • Nola Ober:

    Jade, I too love the Carmina/Linkin Park mash up and I only get
    a black screen with the song playing. Please, how do we download
    this great song?



  • Alice Gray:

    Uninvited – The Freemasons feat Bailey Tzuke.
    Long version great for big gear flat ride for first two minutes
    – followed by increasing resistance seated climb with a
    standing breakaway.



  • Allan Scott:

    If you can be bothered, consider contacting Matt clarke at
    .au and suggest some tracks that are PPCA that he
    could produce on his releases. Also .au are the same,
    you may be able to talk them into something.
    The bottom line is I have always had a bit of a cheesy taste to my
    music and now I am going alternative which is proving to be good
    for my classes and my members. Hope that helps.



  • Margaret Smith:

    “Arcana” by Globus off of Epic Live. Starts fast
    from the gate, sub threshold or threshold then at 1:25 there is a
    strong transition, kick up the intensity to anaerobic capacity for
    90 seconds to finish. You can also opt to kick it up another notch
    at 2:26 for the final 30 seconds.



  • Hubert Melton:

    This is a great, layered, long climbing song. I’ve used it
    at those emotional moments on long climbs where you want them to
    focus on those affirmations to get them to the top of those long,
    tough hills. You know where you get above the tree line, the clouds
    from the rain that just hit them start to part, the sunlight is
    getting more and more exposed, the landscape on the remaining hill
    and valley below really revealing itself, the top of the climb is
    in sight – and you know you’re going to make it.



  • Debra Cantu:

    Extreme Way (Bourne’s Ultimatum) By Moby
    This is a great climbing song. Add a little resistance every minute
    and power over the hill.



  • Mary Dees:

    -For a HIT level: 160bpm by Hans Zimmer 10’11″
    imagine yourself on a final 2miles of a race
    surge-control-pace-control-attack-control-sprint you have all
    that.
    -A perfect ambient mode: Transform your life through sacred
    geometry by Ivan Rados 10’12″ it can be used as a
    warm-up or a seated climb part the voice and cry are bring you
    somewhere.
    -Just a mix I like: Belly tribal rock by Celso Makhara
    2’30″
    themix of belly dancing drum andelectric guitar is great, I wish
    the track was longuer. I used it for short rolling with pace change
    more than load.



  • Scott Snapp:

    2:35 -same as :55
    3:05 – repeat 1:22
    3:20 – back off the hill, return to the seat, and work on a
    moderate climb, slightly steeper than the last round



  • Ollie Mercer:

    I start them on a seated climb with moderate, then have them
    increase the resistance, go into a standing climb, and then
    increase the cadence for the standing sprint. The standing sprints
    occur during the chorus:
    0:46-1:12
    1:49-2:15
    Watch out for the “false” lead at 2:54. I use this to
    get them to add resistand and get up to a standing climb and then
    add extra resistance to make the last standing sprint the most
    difficult. I tell them to make this last one their best!
    3:20-3:48.



  • Mary Wolff:

    Dance About It: Paper Tongues. Start out as a slow seated heavy
    climb to the handclap beat; on chord change come up to position 2
    at double time beat, on chorus come out to position 3 for a short
    sprint; revert and repeat three times.



  • Joseph Carranza:

    Beck + Bat for Lashes – Let’s Get Lost 4:10 110
    BPM
    The best song from the Twighlight Eclipse sountrack



  • Tony Jacobson:

    E.S.Posthumus with the great song Pompeii. This is a perfect
    Running on Hill song,



  • Jill Smith:

    I make a point of telling them that these will be standing
    sprints (92%HR) and not to be scared to add too much resistance
    because they will take the extra added off after the sprint. This
    is important because we often keep on adding resistance on a
    climb.



  • Bernice Green:

    This is for those building intervals with moments of greater
    intensity. A little over six and a half minutes to get a number of
    increasingly greater challenges in. Makes for a nice race day tune
    when you have several moments where you want to briefly pick it
    up.



  • Diane Zimmerman:

    Wish I could Fly like Superman…The Kinks,,,
    The beat says it all…I always feel like superwoman during
    this song!



  • Michael Bartlett:

    The National–Terrible Love
    The Besnard Lakes–And This is What We Call Progress
    The Drums–Let’s Go Surfing
    The Chemical Brothers–k+d+b
    DJLobersterdust–Celeplanes (M.I.A. vs Rare Earth)
    Radiohead–Street Spirit (Funkagenda Remix)
    Edward Sharpe/Magnetic Zeros–Home (RAC Mix)



  • Darlene Hill:

    You Promised Me by In-Grid.
     This is a fun song to do lifts( jumps ) to. When she says
    “you promised me” change positions on the bike, if you
    are UP then come DOWN and back and forth. I usually let the
    first ”you promised me” be free and then I call
    the next two or three before letting the riders do their own. You
    can also get the anything other than English version for more fun.
    Use MixMeister to splice the two versions together.



  • Ryan Lucero:

    I LOVE Tribal…nothing like the drums to crank up the
    energy. My new favorite is Yerbatero (Tarantella Redanka remix) and
    you can buy it most anywhere. The song is so cool because it just
    keeps building, and with every instrument added you can add a pedal
    stroke. There is a nice minute of quietness toward the end, and I
    use this to evoke the feeling of a finish line
    approaching….then complete the 6:30 minute song in a big
    way.



  • Manuel Rupe:

    Armin Van Buuren’s new album Mirage has some useful tracks
    on it. I like using the extended versions because it gives me a bit
    more time to work with:



  • Thomas Montgomery:

    Temper Trap Sweet Disposition 6:46 remix – climb to heavy
    climb, 7-8.5 on the RPE scale, then 2 minutes from the top a surge
    for the peak, to breathless.



  • Curtis Melgoza:

    Sounds of the Drums (original stereo mix) [feat. Di
    Simmon]
    by DJ Chus & Abel Ramos
    Ibiza 2010 vol. 1
    Time 7:45 minute



  • Francisco Campbell:

    This song has a combination of heavy, hard, banging music mixed
    with a quiet measures to break up the noise. You get a nice
    combination of teaching moments using the soft/hard contrasts of
    the music.



  • Donna Brown:

    Here are a couple by the same artist, LCD Soundsystem, that can
    be used similarly. They start small and soft, then build energy as
    the song progresses. Both make for excellent songs to end a
    class.



  • Lindsay Thomas:

    “old” doesn’t matter. All that matters is that
    you enjoy it, your students enjoy it and it does something to
    you/for you as you ride your indoor bike!



  • Diane Irving:

    ‘Til I Collapse-Eminem (RADIO EDIT ON I-TUNES)
    Stay in the saddle with the cadence to the beat, which will put you
    on a flat road at about 88 RPM’s.
    When you get 58 seconds into the song come up to a standing
    flat.
    At 1:40-2:05 d0 4-count jumps to the chorus then after stay in the
    standing flat road.
    At 2:48-3:10 do 4-count jumps again on chorus and then resume
    standing flat.
    At 3:55-end of song…4-count jumps again.



  • Richard Anderson:

    FIGLIO PERDUTO-SARAH BRIGHTMAN (4:37)
    Haunting song for a heavy seated climb with resistance
    loading.
    Climb to the beat which will put you at 60 RPM’s.
    There will be 3 changes in resistance while keeping the speed at 60
    RPM’s.
    1:45 resistance increase
    2:35 resistance increase
    3:26 resistance increase and come up to hand 3
    4:00 increase cadence by 5
    4:08 increase cadence by 5
    4:15 increase cadence by 5 and hold til the top!



  • Sage Fish:

    The Ballad of You and I (Melee) (4:41): this was one of the free
    singles of the week on iTunes a few weeks ago. It’s got an
    almost U2-ballad-esque feel to it. Perfect for warmups, or seated
    flats.



  • Bertha Solis:

    Such a nice, sexy, grungy climbing song. You can stay in the
    saddle for a few minutes and feel the intensity begin to build
    around 2:30. At 3:00, make a powerful transition to a standing
    climb for remainder of song.



  • John Dickson:

    I love using Ravel’s Bolero as a long climb. It’s
    about 13-14 minutes, slow beat (don’t know the BPM’s)
    and the great thing about it is that it just keeps building and
    building. My favorite way to use it is in the third block of a
    series of three long climbs, each 13-14 minutes. First one is at 80
    RPM’s, moderate intensity; 2d one is at 70 RPM’s at
    hard intensity; and the last is Bolero, 60 RPM’s at LT.
    During the last two minutes of the climb – out at 3d, bring
    each of the 10 RPM’s that they lost back (10 each minute) to
    cross threshold. Really powerful way to end a class. (I got this
    idea from a spinning workshop)



  • Diana Wood:

    Love this song: Shining by David Morley
    The beat is infections and makes me want to add resistance and
    charge to the top of a climb. It was actually a free download a
    while back on . It one of those little gems that can
    often be found on Amazon’s daily downloads.



  • Wanda Mcelroy:

    Starlight (Muse) (4:03): great for surges/controlled increase of
    pace for 30 seconds. I cue them at :58, 2:25, and 3:30.



  • Daniel Stout:

    Hey Hey Hey (Michael Franti)(3:47): perfect for easy jumps,
    feel-good cooldown, or when you want to have a little
    ‘break’ in the middle of a longer class.



  • Michelle Gonzales:

    La Vie est Belle (MC Solaar) (3:54): climb; begins seated, add
    resistance at student’s comfort level, at 2:44, the feeling
    of the song really increases & it’s a great opportunity
    to crank resistance and change to a standing climb.



  • Michele Perkins:

    Artist: Kosheen
    Song: Overkill (Main Edit)
    Establish moderately heavy seated climb, then use the chorus to
    offer cadence increases. If your purpose is to force a recovery
    afterward, use the chorus as 16 second sprints; otherwise, an
    increase in cadence works incredibly well.



  • Scott Johnson:

    Warm-up: We No Speak Americano (Vhyce Remix) | Yolanda Be Cool
    & DCUP | 5:50
    Great warm-up tempo – can be used for cadence drills and
    getting the heart rate up!



  • James Bushnell:

    Proud Mary – start a steep seated hill @ 1:00 @ temp chg
    2:36 take off on a almost 3 minute long sprint!



  • Beverly Maynard:

    Molossus-Hans Zimmer (4:49)
    Great for a simulated seated flat into a head wind.
    Prompt them to stay in saddle the entire time and select a
    comfortably challenging gear at 65% of max.
    Do a cadence check to be sure they have picked a speed between
    80-110 RPM’s.
    They are picking their own speed in this range to hold for the
    entire song.
    Explain what Lactate Threshold is and tell them at 1-minute in the
    road will turn into a head wind. Have them keep their speed and
    increase the gear to feel like a heavy climb.
    Their goal is to hold this resistance to the finish line for 3 1/2
    minutes!
    At 3:29-3:45 tell them this quote, “Only a man who knows what
    it is like to be defeated can reach down to the bottom of his soul
    and come up with the extra ounce of power it takes to win when the
    match is even.” –Muhammad Ali
    Tell them it’s not over yet and that they have to increase
    their cadence at least by 5 to the finish line.
    at 4:00 tell them to hang onto it for 30 more seconds.
    At 4:15 tell them to give you another slight increase in cadence to
    the end!
    4:30 they are there and cadence drops back slightly and resistance
    comes back to comfortably challenging.



  • Barry Stalcup:

    Here’s the cool part. JT put incredible instrumental
    builds into the song: small ones at :53, 1:15, 1:36, 1:57 and 2:40.
    Big builds at 3:44, 4:29 and 4:50. Obvious musical declines at
    5:00, 5:20, 5:30 and 5:40.



  • Shannon Ross:

    Grace Potter and Joe Satriani’s cover of Cortez the
    Killer. Good ole fashion back to the basics live jammin. Good for a
    six minute grinder of a hill. See it here:



  • Daniel Stout:

    Runnin through the Fire, John Cafferty and the Beaver Brown
    Band. 78 RPMs. I just used this in Jennifers High Cadence Climbs.
    Worked great.



  • William Dunlap:

    Mushroom – Junkie XL
    128 BPM
    Big gear on a flat or seated climb with a break away.



  • Bruce Vo:

    One that’s been a favorite of mine forever is Let There Be
    Light (BT’s Pure Luminescence Remix) / Mike Oldfield, 13:16.
    I use it for a long climb with 3 periods of uphill surges (not
    super fast, just picking up your climbing tempo a few rpm to power
    to the top; could do them seated or standing) at 2:23, 6:02, and
    9:04.
    I could see using it on a flat road, too.



  • Mary Reynoso:

    Show Me / Mint Royale, 4:07. A fun flat road, maybe with some
    controlled, powerful jumps thrown in for fun and to bring the
    effort and HR up.



  • Robert Butterfield:

    One of my favorite groups is E-Type, they have some great songs
    that you can let you imagination run wild with .
    A few of their songs are :
    Africa,
    Angels Crying,
    Arabian Star
    Far up in the Air
    Just listen to one of them and it will call to you!



  • Lee Fernandez:

    I put the songs that show up most often in my playlists and came
    up with 75. Here’s the top 5 from that list:



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